Entangled at Turner Contemporary

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Tuesday was the only day we left the immediate surroundings of Ramsgate and we drove just five miles away to Margate to the recently opened and much acclaimed Turner Contemporary. We parked nearby and paid for three hours in the car park thinking that would be quite long enough to see the Gallery (as we are not into modern art), walk along the front and the Harbour Arm (jetty) and investigate the town centre. In the end we spent over two hours in the Turner, including a quick bite to eat in the airy cafe, and had quick walk to the end of the Harbour Arm for a view of the gallery and a breath of fresh air. It was a 10 minute walk back to the car park and we realised that we had Landmark Withdrawal Symptoms and drove straight back to the Presbytery to build up the fire for the evening.

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The Turner Contemporary from The Harbour Arm

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The Harbour Arm from The Turner Contemporary

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The Shell Lady of Margate, by Ann Carrington, 2003 : A Scallop Shell Mrs Booth on the Harbour Arm

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Margate Lighthouse

The latest exhibition at the Turner is Entangled : Threads and Making. It had just opened on 28 January and will close on 7 May. We hadn’t realised that there is no permanent collection/display. There are  just three temporary shows each year.

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The Margate Knot by Anna Ray in the Foyer of the Entangled

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Entangled: Threads & Making is a major exhibition of sculpture, installation, tapestry, textiles and jewellery from the early 20th century to the present day. It features over 40 international female artists who expand the possibilities of embroidery, weaving, sewing and wood carving, often incorporating unexpected materials such as plants, clothing, hair and bird quills.

Entangled: Threads & Making is curated by writer and critic Karen Wright, with Turner Contemporary. Wright became fascinated by the making processes she saw first-hand on the many studio visits she did with artists for her ‘In the Studio’ column for the Independent. The idea for Entangled: Threads & Making evolved out of these visits, in particular one with renowned American artist Kiki Smith who was working on her epic tapestry Sky (2012), included in the exhibition.

The exhibition brings together artists from different generations and cultures who challenge established categories of craft, design and fine art, and who share a fascination with the handmade and the processes of making itself.” [Turner website and flyer]

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The Work of  Artist Eva Hess

One of my friends shared a studio with Eva Hess in New York’s Bowery in the 1960s so I was particularly interested to see her work displayed and to watch the video and hear her work being discussed but there were several other pieces of work that caught my eye. We were surprised how much we had enjoyed it, found it thought-provoking and Kathy compared it with the recent  Embroideries at The V&A and the Threads show at Great Yarmouth’s Time and Tide Museum (they’ve both finished now).

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Laura Ford’s Penguins

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Sky by Kiki Smith

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Absolutely fascinating!

 

Portrait Gallery of the Golden Age, Hermitage Amsterdam

As I’d decided to spend most of the day at The Hermitage I bought the full price ticket (no reductions for pensioners!) and after a tasty lunch of pumpkin soup and apple pie I headed for the other show. There’s no permanent collection, as far as I understand but the Golden Age portraits are showing for an extended period.

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1917 Romanovs & Revolution at The Hermitage, Amsterdam

Last weekend I made a short trip to Amsterdam. My Dutch friend, Monique, who joined me on my Irish trip last year, had invited me to her 60th party and I joined up with two Swiss friends (also called Barbara) for the weekend. We all met when I worked in Cambridge and they were at Language School. That summer (1977) Monique and I went to work at a Hotel in the Bernese Alps. We met up with the Barbaras during our time there and have met up over the years ever since in Boscastle, Italy, London, Grindelwald and Amsterdam. Later this year Tenerife is on the cards!

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The Hermitage Amsterdam

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Autumn Visit To The Galleries of Manchester

Back in June I received notification of this locally organised trip and, October being a pretty ‘clear’ month, I decided to book the day out. In the end it came hot on the heels of the Edinburgh 48 hour ‘day out’.

“Autumn Visit to the Galleries of Manchester.
Wednesday 12th October 2016

Manchester, or “Cottonopolis” was one of the great cities of Victorian England. That wealth is reflected to-day in the magnificent art collections housed in the city galleries.

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Noble Prospects : Capability Brown and the Yorkshire Landscape

Can I really have been have jotting down notes about my travels and interspersing the notes with my photos for five years already? I’ve just been looking back at my post about Capability Brown at Harewood and am amazed to see that the date was October 2011. My first post was dated 20 August 2011. And I’m stunned to see that that was five years ago to the day! Well I never.

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‘That House of Art’ : Petworth House

On Sunday last week I took one of my American friends (and fellow book group member) to Petworth House in West Sussex. I’d picked her up the day before from a Charlotte Bronte Conference at Chawton House Library near Alton in Hampshire; taken her back to Godalming where we walked with Oliver Pug to Munstead Wood (just a glimpse) and dropped her at her Ewhurst B&B after a pub supper nearby.

Alton Church

Alton Church

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